Recovering
from what for me was easily the worst cinematic experience of the year and in
the impossibility of rewinding the whole thing in my head, I decided that I had to
make something good out of it by at least trying to understand why it had been
so frustrating. Was it Xavier Dolan's omnipresent, falsely angelic face? Or maybe the exploitation of the theme of homosexuality to seek the viewer's
complicity? No. Apparently, it had something to do with camera placement.
